I’m delighted to be selling tickets to the AJ Bell Fringe on Friday digital cabaret, in support of the Fringe artist and venue recovery fund
100% of the money raised by ticket sales on my project will go straight to the Fringe’s artist and venue recovery fund, helping artists who are struggling as a result of COVID-19 return to the festival in 2021.

Somali-born, Cardiff-raised and London-based, Mo Omar is a fast-rising talent with a unique perspective.
Mo was selected to perform in The Pleasance Comedy Reserve show at the Edinburgh Festival Fringe and was a finalist of the BBC Introducing Radio 4 Comedy Award, both in 2019. He went on to make his TV debut shortly after, appearing on Harry Hill’s Clubnite on Channel 4. Previously, he was the winner of the Leicester Square New Comedian of the Year 2017 competition and semi-finalist in the So You Think You’re Funny? and Amused Moose Comedy Awards 2017 competitions. He created short-form videos for the new BBC Wales platform BBC Sesh and also starred in an episode of The Joy of Missing Out for All 4.
‘Omar has a winningly irreverent attitude to sacred cows, with a fresh and feisty delivery that gives him a contemporary edge’ – Chortle
Lauren Pattison | Alice Rabbit and Craig Hill | Christopher Macarthur-Boyd | Todd Various | Sacred Paws | Ben Hart | Catherine Bohart | Bernie Dieter
...and your host for the evening Nigel Ng.
This new digital show will showcase the festival across a range of genres, including comedy, cabaret, theatre and music. The show has been made possible thanks to the generous support of online investment platform AJ Bell, and is produced and curated by Lucky Cat & Michael Fraser, alongside production company Inner Ear.

The creative industries have been among the hardest hit by the coronavirus outbreak, with the Fringe community alone facing estimated losses of over £21 million.
The opportunities derived from presenting work at the Edinburgh Festival Fringe can be enormous; many artists book onward touring, build collaborative partnerships, find a new agent, get bookings for stage, screen, and film work. Many engage with a loyal and adventurous fanbase, earning income to support their year-round activities, or taking the chance to try out new work and ideas on audiences who are actively looking for something new.
The impact of these lost opportunities will stretch way beyond 2020, with artists looking at a long recovery for their work to be seen on stage again, with the worry that many will be forced to leave the sector to earn a living elsewhere, with the impact far reaching.
All the money we raise from this project page will go to the central artist and venue recovery fund to support our return to the Fringe in 2021.

This project closed unsuccessfully on 15th September 2020